Fine Art Music Photography.

New York, Oct 08, 2013

LOT 118

PETE TOWNSHEND, THE WHO, MONTEREY POP, CA, JUNE, 1967

LINER NOTES At that time no one had ever seen smashing guitars as a performance aesthetic. People were shocked and dumbfounded. People just stared, including other musicians, and many were horrified at the idea of destroying instruments since no one in America had even seen this kind of presentation at that time. -Elaine Mayes
SPECIFICS Shot with a Nikon F 35mm analog camera, TriX film.
SIZE 17" x 22"
MEDIUM Archival digital print.
VALUE $1,000 - $1,450
STARTING BID $850