The Sandberg Watch Collection

Hotel Richemond, Geneva, Mar 31, 2001

LOT 339

Genevan, probably Abraham Arlaud I, made for the Islamic market, circa 1660.Very fine and rare oval gold, gilt brass and enamel single-hand pendant watch.

CHF 20,000 - 30,000

USD 12,000 - 18,000

Sold: CHF 50,600

C. Two-body, 'bassine' with curved band, polished, shutter for winding, bezel split for glass retention, short swivel pendant, loose ring. D. Oval, en ronde bosse enamel on gold, applied gold chapter ring with Islamic numerals, half-hour arrow divisions and small markers for the quarters, applied on an enamelled plate centred by a six-petalled flower in translucent green enamel over a flinqué ground, framed by white enamel painted with pink and burgundy floral decoration, outside the chapter rintranslucent green enamel crescents decorated similarly the flower. Gold 'tulip' hand. M. 29.1 x 32.4 mm, hinged, gilt brass full plate finely engraved, bearing the maker's signature in Islamic characters, unusual pierced rectangular pillars, fusee and gut line for the going train, two-arm steel circular foliot, elongated cock pierced and symmetrically engraved with floral decoration, conical foot secured by a screw, ratchet wheel and click set-up under the barrel, with calibration on the back pate by a pointer.Signed on the movement in Islamic characters.Dim. 35 x 45 mm. Published in the Sandberg book, pages 228-229.


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Grading System
Grade:
Case: 2

Very good
Movement: 2*

Very good

Overhaul recommended, at buyer's expense
Dial: 2 - 01

Notes

It is clear this watch was made in Geneva. There are several indications of this: first, the extreme sophistication of the movement, for which Genevese watchmakers were famous; secondly, the movement features elements common to other Genevese watches, very unusual pillars and a typical manner of finishing the wheels and the fusee, as well as the characteristic shape of the cock. These same elements can be seen in lot 256 made by Isaac Perrot and lot 264, made by Jean and Jacques Rousseau.The watch, though it is clearly intended for the Islamic market, does not, however, show the classic features of Turkish watches. It was therefore probably intended for a wider audience, that is, the area between Turkistan and Industan- this can be seen, among other things, by the choice of colours used for the dial decoration, typical of Moghul art of the 16th, 17th, and 18th century, as well as the Farsi iconography of the dial.An almost identical watch, signed by Arlaud, and also made for the Islamic market, is in the Musée International de l'horlogerie, Château des Monts, La Chaux-de-Fonds, inv. No. 1-555.