Collector's Pocket Watches, Wristwatc...

Noga Hilton, Geneva, Apr 12, 2003

LOT 294

Unsigned, Japan, circa 1850.Very fine and very rare small mulberry wood musical calendar bracket clock (Makura-Dokei) with fusee, hour striking, playing two tunes on the hour or on demand.

CHF 15,000 - 18,000

EUR 10,000 - 13,000 / USD 11,000 - 14,000

Sold: CHF 26,450

C.Rectangular, light, delicately made, glazed on all sides, openings for sound on each side, decorated with gilt brass pierced pattern of passion flowers, bottom with loosely inserted drawer for a key, brass handle. The brass movement casing with elaborately turned four brass columns on a mulberry wood base loosely inserted on the tray made from the top of the key drawer, front with small brass knob for changing melodies. Small hollowed mulberry wood base. D. Revolving gilt brass with 12 silvermovable rectangular hour plaques with additional 12 half-hours, set in circular aperture of the brass dial plate engraved with passion flowers, two apertures at the top for the Japanese date and months - Jukkan date to the right and Junishi months to the left. Elaborate stationary single blued steel hand. M. Rectangular 90 x 74 mm., brass, back plate engraved with passion fruits, fusee and chain for the going train, going barrel for striking, solid wheels, verge escapement, large 53 mm. brass blance with slotted arm for two adjustable weights, 2 1/2 coil steel balance spring, count wheel on the back plate, striking on a bell set over the balance. Musical movemennumbered 3544, set in the base, cylinder type with 69 tuned teeth comb, worm gear fly governor.Dim. Height 26 cm, width 17 cm.


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Grading System
Grade: AAA

Excellent

Case: 3
Movement: 3*
Dial: 3 - 01

Notes

A very beautiful clock, very intelligently built, including an inertia regulating system via two sliding weights on the balance arm, the indexing of the count wheel which was solved differently than in European clocks - the gathering pallet acting directly on the toothed count wheel, lifting one tooth every strike.The Japanese method of time telling was based on the natural day from dawn to dusk. Day and night were each divided into six segments of differing length. The day segments, for example, were longer in summer and shorter in winter. For this reason the hour markers had to be adjustable. The dial begins with the number "9" and goes backwards (9,8,7,6,5,4), because the Japanese consider that 9 is a magic number. Since a clock was an important and mysterious object in itself, it was desirable to havethe mystical number present in every hour, as well as to directly attribute it to midnight and noon. The other hours were multiplied by the number 9 and the second digit of the product was taken as the clock hour (for example, hour 2 was in fact 8 because 2 x 9 = 18). In Japan every hour had a name, similar to our weeks, in which the days are not numbered from 1 to 7, but have names: Monday to Sunday. Traditional Japanese hours were named after the Chinese zodiacal signs, midnight (bottom of thedial) being "rat", midday (top of the dial) "horse", sunrise (to the left) "hare", sunset (to the right) "cock", and so on. Timepieces with mechanical escapements were introduced to Japan by the Jesuits in the 16th century. The Japanese quickly grasped the basic concept and started producing their own clocks at the beginning of the 17th century.