Important Collectors' Wristwatches, P...

Hong Kong, Jul 10, 2005

LOT 367

"Calm Harbour" Ilbery, London, No.5880, the enamel attributed to Jean-Louis Richter, Geneva. Made for the Oriental market, circa 1800. Very fine and rare, 18K gold and painted on enamel pocket watch.

HKD 260,000 - 350,000

EUR 28,000 - 35,000 / USD 35,000 - 45,000

C. Three-body, "Empire", the hinged bezel decorated with engraved, black, white and blue enamel, the back with similarly decoratedborder and finely painted with a view of a young couple and fishermen in a calm harbour landscape, gilt dust cover. D. White enamelwith radial Roman numerals and outer minute track, Arabic quarter hour numerals, subsidiary seconds. Gold "heart" hands. M. 45 mm.,full plate, frosted gilt, turned pillars, engraved backplate furniture, spring barrel, duplex escapement, steel flat-rim five-arm polishedsteel balance, diamond endstone, index regulator.Movement signed.Diam. 58mm.


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Grading System
Grade: AAA

Excellent

Case: 3 - 49
Movement: 3*

Good

Overhaul recommended, at buyer's expense

Dial: 4 - 14- 01

Notes

The view depicted on the back of this watch is possibly the harbour at Messina. Richter Jean-Louis (1766-1841) He learned his art under David-Etienne-Roux and Philippe-Samuel-Théodore Roux, becoming a most renowned enamel painter. His speciality was the painting of landscapes and particularly lake-side scenes and marine-scapes, often representing ships in a harbour or battles with fighting Men-of-War, but, on occasion, also portraits and hunting scenes. He did not often sign his work, but it is clearly recognised as being in his hand from the style and quality of the painting. He applied his art principally to watch cases and snuff boxes and these were largely destined for the Chinese, Turkish, British and Italian markets. In 1828 he was in partnership with Aimé-Julien Troll (1781-1852) and one can find work signed Richter et Troll.Richter, like other great enamel painters of the time, often found inspiration for his work from paintings or engravings by the artists then in fashion, Van der Myn (1684-1741), Giovanni Battista Cipriani (1727-1785), John Francis Rigaud (1742-1820), John Hoffner (1748-1810) and Francesco Bartolozzi (1727-1815), or even from particularly famous scenes such as the 'Rape of Helen' from the engraving by Guido Reni (1575-1642), now in the Cabinet des Estampes, Paris.