The Private Collection of Theodor Beyer

Hotel Baur Au Lac, Zurich, Nov 16, 2003

LOT 141

Patek Philippe & Cie. Genève, No. 796978, case No. 3119860, Ref. 788/2, circa 1963. Very fine and rare 18K gold "Ricochet" keyless dress watch. Accompanied by the Extract from the Archives.

CHF 4,000 - 6,000

EUR 2,600 - 3,900 / USD 3,000 - 4,400

C. Hand-made, heavy, two-piece, asymmetrical with "vermicelli" engraving. D. Gold with en suite decoration, black indexes. Blued steel "Bâton" hands. M. 10''', Cal. 23-300, rhodium-plated, "fausses côtes" decoration with Geneva quality hallmark, 18 jewels, straight line lever escapement, Giromax balance adjusted to heat, cold and 5 positions, shock resistant, self compensating balance spring.Dial, case and movement signed.Dim. 44 x 38 mm.


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Grading System
Grade: AA

Very good

Case: 2

Very good

Movement: 2

Very good

Dial: 2-01

Very good

HANDS Original

Notes

Gilbert Albert. A renowned Genevan jewelry designer and artist. In 1955, at the age of 24, he began to apply his innovative talents to the design of wristwatch cases for Patek Philippe. Breaking away from traditional shapes, he introduced asymmetrical triangles and rhombic forms inspired by his passion for modern sculpture and works by his favorite artists, such as Brancusi and Mondrian. He also introduced textured organic surfaces on the asymmetrical shapes designed for the Patek Philippe "Ricochet" collection. However, many of his more revolutionary designs of that time remained prototypes and were not produced in a series. In 1962, Gilbert Albert established his own workshop, designing and producing jewelry under his own name. Over the years, he became very successful, both in Geneva and internationally, receiving numerous awards for his jewelry. Gilbert Albert's creations are exhibited worldwide.Creations of Gilbert Albert, Ref. 3412-3413 (prototypes) and 3422-3424 (production) are illustrated in "Patek Philippe Wristwatches", by Martin Huber and Alan Banbery, 1998, pp. 78, 163, 187 and 188 and in the thematic sale "The Art of Patek Philippe", Antiquorum Geneva, April 9, 1989, pp. 45, 103 and 263. Tachisme. The present watch owes its asymmetrical shape to the Tachisme movement, a style of abstract painting popular in the late 1940s and early 1950s. It is characterized by the use of irregular blotches of color (from the French word "tâche", meaning "spot"), and pursued similar goals to Abstract Expressionism, favoring spontaneity over formal rigor. In 1953 the French painter and poet Jean Atlan described the philosophy behind Tachisme in this way: "there is a common source for the painter and the dancer, this common source is a certain manner of living rhythms ... At the beginning there is a rhythm which tends to unfold itself: it is the perception of this rhythm that is fundamental and it is in its development that the vital quality of the work depends." Tachisme was primarily a French movement and possesses a characteristic elegance and lyricism.